quinta-feira, 6 de Janeiro de 2011

Atenção - Aviso

Avisa-se todos os alunos do Curso teórico Imagem / Movimento que as duas próximas aulas (segundas-feiras 11 e 17 de Janeiro de 2011) são na Cinemateca Portuguesa. A sessão tem início às 19h30.
Obrigado pela atenção.
Marcelo Costa

segunda-feira, 3 de Janeiro de 2011

Aula 10 (03-01-2011)

Visionamento dos filmes:

"Maria" 1988 - Alexandre Sokurov


















"Les Maîtres Fous" 1955 - Jean Rouch



















Bibliografia:
"A Arte e a Sua Sombra", Mario Perniola. Ed. Assírio & Alvim, 2006.

segunda-feira, 13 de Dezembro de 2010

Aula 9 (13-12-2010)

Lancelot du Lac de Robert Bresson














“Notes on the Cinematographer”, Robert Bresson.
Ed. Urizen Books, 1977.

“A small subject can provide the pretext for many profound combinations. Avoid subjects that are too vast or too remote, in which nothing warns you away when you are going astray. Or else take from them only what can be mingled with your life and belongs to your experience.”
“Master precision. Be a precision instrument myself.”
“… director. The point is not to direct someone, but to direct oneself.”
“Models. Mechanized outwardly, Intact, virgin within.”
“Unusual approaches to bodies. On the watch for the most imperceptible, the most inward movements”
“The rhythmic value of a noise”
“Against the tactics of speed, of noise, set tactics of slowness, of silence”
“One forgets too easily the difference between a man and his image, and that there is none between the sound of his voice on the screen and in real life”
“A locomotive’s whistle imprints in us a whole railroad station”
“The ejaculatory force of the eye”
“One must not seek, one must wait.”
“Let the cause follow the effect, not accompany it or precede it.”
“Be sure of having used to the full all that is communicated by immobility and silence”
“One does not create by adding, but by taking away. To develop is another matter. (Not to spread out.)
“Empty the pond to get the fish”
“Obvious travelling or panning shots do not correspond to the movements of the eye. This is to separate the eye from the body. (One should not use the camera as if it were a broom)”
“Absolute silence and silence obtained by a pianissimo of noises”
“Practice the precept: find without seeking”
“Simultaneous precision and imprecision of music”
“Provoke the unexpected. Expect it”
“See beings and things in their separate parts. Render them independent in order to give them a new dependence”

segunda-feira, 6 de Dezembro de 2010

segunda-feira, 29 de Novembro de 2010

Aula 7 (29-11-2010)

(continuação da aula anterior).


Alguns livros relacionados com esta aula:
Peter Sloterdijk
2008, O Estranhamento do Mundo, Lisboa: Relógio d’Água.
2004, A Mobilização Infinita, Lisboa: Relógio d’Água.
2001, Ensaio sobre a intoxicação voluntária: um diálogo com Carlos Oliveira, Tradução Cristina Peres, Lisboa: Fenda.
Spheres (3 volumes)

Henri Bergson
La pensée et le mouvant (1934)
Matière et mémoire (1896)


Lista de alguns filmes a ver, relacionados com as aulas:
Sicilia! (1999) - Danièle Huillet, Jean-Marie Straub
Cézanne (1990) - Danièle Huillet, Jean-Marie Straub
Crónica de Ana Madalena Bach (1968) - Danièle Huillet, Jean-Marie Straub
Eh, Joe? (II) (TV 1966) - Alan Schneider
Krapp's laatste band (TV 1969) - Walter Tillemans
Quadrat 1+2 (TV 1982) – Samuel Beckett
Beckett Directs Beckett: Krapp's Last Tape by Samuel Beckett (TV 1988) - Walter D. Asmus
Play (2001) - Anthony Minghella
Casa de Lava (1994) – Pedro Costa
No Quarto da Vanda (2000) – Pedro Costa
Juventude Em Marcha (2006) – Pedro costa
Destricted (2006) - Marina Abramovic (segment "Balkan Erotic Epic")
Matthew Barney (segment "Hoist")
Marco Brambilla (segment "Sync")
Larry Clark (segment "Impaled")
Gaspar Noé (segment "We Fuck Alone")
Richard Prince (segment "House Call")
Sam Taylor-Wood (segment "Death Valley")
The Other 'Rest Energy' (1980) – Marina Abramovic

segunda-feira, 22 de Novembro de 2010

Aula 6 (22-11-2010)

Visionamento do filme "Onde jaz o teu sorriso?" de Pedro Costa.

Ideia-------»forma«--------matéria

segunda-feira, 15 de Novembro de 2010

Aula 5 (15-11-2010)

Samuel Beckett (continuação).

O imperceptível.

Acção
Percepção
Afectação







Conclusão do visionamento dos filmes realizados pelos alunos.